National Hockey League news: February 16, 2008
Category : Uncategorized
Saturday, February 16, 2008
There were 5 games played in the National Hockey League on February 15, 2008.
Category : Uncategorized
Saturday, February 16, 2008
There were 5 games played in the National Hockey League on February 15, 2008.
Category : Uncategorized
Tuesday, September 25, 2007
Tom Tancredo has been a member of the United States House of Representatives since 1999, representing the 6th Congressional District of Colorado. He rose to national prominence for his strong stance against illegal immigration and his announcement that he was a Republican candidate in the 2008 Presidential election. David Shankbone recently spoke with the Congressman and posed questions from Wikipedia editors and Wikinews reporters:
DS: Throughout my life my father, a lifelong Republican and an avid listener of Rush Limbaugh, told me that all we needed in this country was a Republican Congress, Republican Senate and a Republican White House to get this country on the right track. Last year he expressed his disappointment to me. So many Republicans, like my father, feel lied to or let down by the party. The rationale for the Iraq War, the sex and bribery scandals, the pork barrel projects, and, as Alan Greenspan recently pointed out, the fiscal irresponsibility. People feel there have been many broken promises. Why should someone vote Republican today?
DS: You yourself said you would only serve three terms in Congress, but then broke that promise. What caused you to reverse yourself?
DS: There are an estimated 12 million illegal aliens in the U.S. To round up and deport millions of people would be a major government undertaking, requiring massive federal spending and invasive enforcement. What level of funding would be necessary for U.S. Immigration and Customs to achieve the level of enforcement that you’d like to see?
DS: How long would full enforcement take for you to succeed?
DS: Can you explain your remarks about bombing the Islamic holy sites of Mecca and Medina as a deterrent to terrorists operating against the United States.
DS: But wouldn’t an attack on Mecca and Medina be an attack on a sovereign state?
DS: Aside from becoming President, if you could be granted three wishes, what would they be?
DS: Farmers rely heavily on seasonal manual labor. Strict enforcement of immigration laws will inevitably reduce the pool of migrant labor and thus increase costs. Do you support tariffs or other government intervention to keep American farm products competitive?
DS: Do you agree that our forefathers intended birthright citizenship?
DS: You and Karl Rove engaged, in your words, in a screaming match over immigration, and Rove said that you would never again “darken the doorstep of the White House.” Are you still considered persona non grata at the White House?
DS: Psychologist Robert Hare has discussed in his work the use of doublespeak as a hallmark of psychopaths, and social scientists have pointed out that the use of doublespeak is most prevalent in the fields of law and politics. Do these two trends alarm you?
DS: What is the proper role of Congress in the time of war?
DS: Politics is dominated by lawyers. What other group of people or professions would you prefer to see dominate the field of politics and why?
DS: Do you think lawyers are better for handling legislation and as politicians?
DS: You have supported proposed constitutional amendments that would ban abortion and same-sex marriage. You are also a strong supporter of the Second Amendment. Why do you believe that the U.S. Constitution should regulate medical procedures and personal relationships, but not gun ownership?
DS: You recently spoke out against the Black and Hispanic Congressional caucuses, stating, “It is utterly hypocritical for Congress to extol the virtues of a color-blind society while officially sanctioning caucuses that are based solely on race. If we are serious about achieving the goal of a colorblind society, Congress should lead by example and end these divisive, race-based caucuses.” Do you also believe there is no longer a need for the NAACP?
DS: You were one of a handful of Republicans who voted for a bill proposed by Maurice Hinchey and Dana Rohrabacher to stop the Department of Justice from raiding medical marijuana patients and caregivers in states where medical marijuana is legal, citing states’ rights concerns. On the other hand, you have suggested state legislators and mayors should be imprisoned for passing laws contrary to federal immigration law, and you support the Federal Marriage Amendment to ban gay marriage nationally. How do you reconcile these seemingly contradictory positions?
DS: If you had to support one of the Democratic candidates, which one would it be and why?
Category : Timber
Submitted by: IPRWire Staff Writer
The house staging business is one of the fastest growing businesses in this country. Many people who are planning on putting their home on the market are looking for ways in which they can enhance their residence and make it appealing to the potential prospects that come to look through it. They can no longer just leave their house as is and hope some one will like it enough to make an offer.
The rewards of house staging are many. There is a lot of money to be made when you restage someones house prior to listing it. And then there is the total satisfaction of a job well done when that house sells quickly and the homeowner is ecstatic enough to not only give out references for you, but possibly provide a bonus as well.
The pleasures are simple. If you can picture looking at an ordinary room without pizzazz, a cluttered house with so much junk that every possible surface is loaded to the gills, or the tired old home that has lost its charm along the way, then you do not have to think too hard about the pleasure you will receive when you turn it around and beautify it.
The rewards of house staging come when you return the charm to a house that was built in 1927, but added bigger closets, updated the bathroom and kitchen, and decorated it into an eye-popping beauty. Or when you take the house built just a few years ago using the cheapest fixtures available and accented by the clients boring taste and make it look like a million dollars.
Doesnt it just take your breath away to walk through a home that was dull and boring but now, thanks to you, brings sighs of pleasure and anticipation from both the owners and the people walking through it deciding if they want to buy it? Can you think of anything nicer than looking at a masterpiece and saying I did that!
Regardless if you are new to the game or a consummate professional, you will be sure to find a lot of things that can give your professional staging business a boost. From slide shows to promotional postcards, to decorating software and tips on how to move furniture across carpet or hardwood flooring, you will find it all.
Professionally done, yet easy to comprehend and a snap to learn, these courses can be done at your own pace or learned quickly in as few as seven days or less. No need for expensive time-consuming seminars. No need to leave the house to take the course. All you need is a computer and the desire to become a home stager. That is it.
About the Author: Decorate-Redecorate was founded in 1983 in Huntington Beach, CA. For more info on staging,
house staging
, interior design, real estate staging, home staging visit
decorate-redecorate.com
.
Source:
isnare.com
Permanent Link:
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Category : Uncategorized
Friday, July 29, 2011
Today sees the reopening of the National Museum of Scotland following a three-year renovation costing £47.4 million (US$ 77.3 million). Edinburgh’s Chambers Street was closed to traffic for the morning, with the 10am reopening by eleven-year-old Bryony Hare, who took her first steps in the museum, and won a competition organised by the local Evening News paper to be a VIP guest at the event. Prior to the opening, Wikinews toured the renovated museum, viewing the new galleries, and some of the 8,000 objects inside.
Dressed in Victorian attire, Scottish broadcaster Grant Stott acted as master of ceremonies over festivities starting shortly after 9am. The packed street cheered an animatronic Tyrannosaurus Rex created by Millenium FX; onlookers were entertained with a twenty-minute performance by the Mugenkyo Taiko Drummers on the steps of the museum; then, following Bryony Hare knocking three times on the original doors to ask that the museum be opened, the ceremony was heralded with a specially composed fanfare – played on a replica of the museum’s 2,000-year-old carnyx Celtic war-horn. During the fanfare, two abseilers unfurled white pennons down either side of the original entrance.
The completion of the opening to the public was marked with Chinese firecrackers, and fireworks, being set off on the museum roof. As the public crowded into the museum, the Mugenkyo Taiko Drummers resumed their performance; a street theatre group mingled with the large crowd, and the animatronic Tyrannosaurus Rex entertained the thinning crowd of onlookers in the centre of the street.
On Wednesday, the museum welcomed the world’s press for an in depth preview of the new visitor experience. Wikinews was represented by Brian McNeil, who is also Wikimedia UK’s interim liaison with Museum Galleries Scotland.
The new pavement-level Entrance Hall saw journalists mingle with curators. The director, Gordon Rintoul, introduced presentations by Gareth Hoskins and Ralph Applebaum, respective heads of the Architects and Building Design Team; and, the designers responsible for the rejuvenation of the museum.
Describing himself as a “local lad”, Hoskins reminisced about his grandfather regularly bringing him to the museum, and pushing all the buttons on the numerous interactive exhibits throughout the museum. Describing the nearly 150-year-old museum as having become “a little tired”, and a place “only visited on a rainy day”, he commented that many international visitors to Edinburgh did not realise that the building was a public space; explaining the focus was to improve access to the museum – hence the opening of street-level access – and, to “transform the complex”, focus on “opening up the building”, and “creating a number of new spaces […] that would improve facilities and really make this an experience for 21st century museum visitors”.
Hoskins explained that a “rabbit warren” of storage spaces were cleared out to provide street-level access to the museum; the floor in this “crypt-like” space being lowered by 1.5 metres to achieve this goal. Then Hoskins handed over to Applebaum, who expressed his delight to be present at the reopening.
Applebaum commented that one of his first encounters with the museum was seeing “struggling young mothers with two kids in strollers making their way up the steps”, expressing his pleasure at this being made a thing of the past. Applebaum explained that the Victorian age saw the opening of museums for public access, with the National Museum’s earlier incarnation being the “College Museum” – a “first window into this museum’s collection”.
Have you any photos of the museum, or its exhibits?
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The museum itself is physically connected to the University of Edinburgh’s old college via a bridge which allowed students to move between the two buildings.
Applebaum explained that the museum will, now redeveloped, be used as a social space, with gatherings held in the Grand Gallery, “turning the museum into a social convening space mixed with knowledge”. Continuing, he praised the collections, saying they are “cultural assets [… Scotland is] turning those into real cultural capital”, and the museum is, and museums in general are, providing a sense of “social pride”.
McNeil joined the yellow group on a guided tour round the museum with one of the staff. Climbing the stairs at the rear of the Entrance Hall, the foot of the Window on the World exhibit, the group gained a first chance to see the restored Grand Gallery. This space is flooded with light from the glass ceiling three floors above, supported by 40 cast-iron columns. As may disappoint some visitors, the fish ponds have been removed; these were not an original feature, but originally installed in the 1960s – supposedly to humidify the museum; and failing in this regard. But, several curators joked that they attracted attention as “the only thing that moved” in the museum.
The museum’s original architect was Captain Francis Fowke, also responsible for the design of London’s Royal Albert Hall; his design for the then-Industrial Museum apparently inspired by Joseph Paxton’s Crystal Palace.
The group moved from the Grand Gallery into the Discoveries Gallery to the south side of the museum. The old red staircase is gone, and the Millennium Clock stands to the right of a newly-installed escalator, giving easier access to the upper galleries than the original staircases at each end of the Grand Gallery. Two glass elevators have also been installed, flanking the opening into the Discoveries Gallery and, providing disabled access from top-to-bottom of the museum.
The National Museum of Scotland’s origins can be traced back to 1780 when the 11th Earl of Buchan, David Stuart Erskine, formed the Society of Antiquaries of Scotland; the Society being tasked with the collection and preservation of archaeological artefacts for Scotland. In 1858, control of this was passed to the government of the day and the National Museum of Antiquities of Scotland came into being. Items in the collection at that time were housed at various locations around the city.
On Wednesday, October 28, 1861, during a royal visit to Edinburgh by Queen Victoria, Prince-Consort Albert laid the foundation-stone for what was then intended to be the Industrial Museum. Nearly five years later, it was the second son of Victoria and Albert, Prince Alfred, the then-Duke of Edinburgh, who opened the building which was then known as the Scottish Museum of Science and Art. A full-page feature, published in the following Monday’s issue of The Scotsman covered the history leading up to the opening of the museum, those who had championed its establishment, the building of the collection which it was to house, and Edinburgh University’s donation of their Natural History collection to augment the exhibits put on public display.
Selection of views of the Grand Gallery Image: Brian McNeil.
Selection of views of the Grand Gallery Image: Brian McNeil.
Selection of views of the Grand Gallery Image: Brian McNeil.
Closed for a little over three years, today’s reopening of the museum is seen as the “centrepiece” of National Museums Scotland’s fifteen-year plan to dramatically improve accessibility and better present their collections. Sir Andrew Grossard, chair of the Board of Trustees, said: “The reopening of the National Museum of Scotland, on time and within budget is a tremendous achievement […] Our collections tell great stories about the world, how Scots saw that world, and the disproportionate impact they had upon it. The intellectual and collecting impact of the Scottish diaspora has been profound. It is an inspiring story which has captured the imagination of our many supporters who have helped us achieve our aspirations and to whom we are profoundly grateful.“
The extensive work, carried out with a view to expand publicly accessible space and display more of the museums collections, carried a £47.4 million pricetag. This was jointly funded with £16 million from the Scottish Government, and £17.8 million from the Heritage Lottery Fund. Further funds towards the work came from private sources and totalled £13.6 million. Subsequent development, as part of the longer-term £70 million “Masterplan”, is expected to be completed by 2020 and see an additional eleven galleries opened.
The funding by the Scottish Government can be seen as a ‘canny‘ investment; a report commissioned by National Museums Scotland, and produced by consultancy firm Biggar Economics, suggest the work carried out could be worth £58.1 million per year, compared with an estimated value to the economy of £48.8 prior to the 2008 closure. Visitor figures are expected to rise by over 20%; use of function facilities are predicted to increase, alongside other increases in local hospitality-sector spending.
Proudly commenting on the Scottish Government’s involvement Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, described the reopening as, “one of the nation’s cultural highlights of 2011” and says the rejuvenated museum is, “[a] must-see attraction for local and international visitors alike“. Continuing to extol the museum’s virtues, Hyslop states that it “promotes the best of Scotland and our contributions to the world.“
So-far, the work carried out is estimated to have increased the public space within the museum complex by 50%. Street-level storage rooms, never before seen by the public, have been transformed into new exhibit space, and pavement-level access to the buildings provided which include a new set of visitor facilities. Architectural firm Gareth Hoskins have retained the original Grand Gallery – now the first floor of the museum – described as a “birdcage” structure and originally inspired by The Crystal Palace built in Hyde Park, London for the 1851 Great Exhibition.
The centrepiece in the Grand Gallery is the “Window on the World” exhibit, which stands around 20 metres tall and is currently one of the largest installations in any UK museum. This showcases numerous items from the museum’s collections, rising through four storeys in the centre of the museum. Alexander Hayward, the museums Keeper of Science and Technology, challenged attending journalists to imagine installing “teapots at thirty feet”.
The redeveloped museum includes the opening of sixteen brand new galleries. Housed within, are over 8,000 objects, only 20% of which have been previously seen.
The Window on the World rises through the four floors of the museum and contains over 800 objects. This includes a gyrocopter from the 1930s, the world’s largest scrimshaw – made from the jaws of a sperm whale which the University of Edinburgh requested for their collection, a number of Buddha figures, spearheads, antique tools, an old gramophone and record, a selection of old local signage, and a girder from the doomed Tay Bridge.
The arrangement of galleries around the Grand Gallery’s “birdcage” structure is organised into themes across multiple floors. The World Cultures Galleries allow visitors to explore the culture of the entire planet; Living Lands explains the ways in which our natural environment influences the way we live our lives, and the beliefs that grow out of the places we live – from the Arctic cold of North America to Australia’s deserts.
The adjacent Patterns of Life gallery shows objects ranging from the everyday, to the unusual from all over the world. The functions different objects serve at different periods in peoples’ lives are explored, and complement the contents of the Living Lands gallery.
Performance & Lives houses musical instruments from around the world, alongside masks and costumes; both rooted in long-established traditions and rituals, this displayed alongside contemporary items showing the interpretation of tradition by contemporary artists and instrument-creators.
The museum proudly bills the Facing the Sea gallery as the only one in the UK which is specifically based on the cultures of the South Pacific. It explores the rich diversity of the communities in the region, how the sea shapes the islanders’ lives – describing how their lives are shaped as much by the sea as the land.
Both the Facing the Sea and Performance & Lives galleries are on the second floor, next to the new exhibition shop and foyer which leads to one of the new exhibition galleries, expected to house the visiting Amazing Mummies exhibit in February, coming from Leiden in the Netherlands.
The Inspired by Nature, Artistic Legacies, and Traditions in Sculpture galleries take up most of the east side of the upper floor of the museum. The latter of these shows the sculptors from diverse cultures have, through history, explored the possibilities in expressing oneself using metal, wood, or stone. The Inspired by Nature gallery shows how many artists, including contemporary ones, draw their influence from the world around us – often commenting on our own human impact on that natural world.
Contrastingly, the Artistic Legacies gallery compares more traditional art and the work of modern artists. The displayed exhibits attempt to show how people, in creating specific art objects, attempt to illustrate the human spirit, the cultures they are familiar with, and the imaginative input of the objects’ creators.
The easternmost side of the museum, adjacent to Edinburgh University’s Old College, will bring back memories for many regular visitors to the museum; but, with an extensive array of new items. The museum’s dedicated taxidermy staff have produced a wide variety of fresh examples from the natural world.
At ground level, the Animal World and Wildlife Panorama’s most imposing exhibit is probably the lifesize reproduction of a Tyrannosaurus Rex skeleton. This rubs shoulders with other examples from around the world, including one of a pair of elephants. The on-display elephant could not be removed whilst renovation work was underway, and lurked in a corner of the gallery as work went on around it.
Above, in the Animal Senses gallery, are examples of how we experience the world through our senses, and contrasting examples of wildly differing senses, or extremes of such, present in the natural world. This gallery also has giant screens, suspended in the free space, which show footage ranging from the most tranquil and peaceful life in the sea to the tooth-and-claw bloody savagery of nature.
The Survival gallery gives visitors a look into the ever-ongoing nature of evolution; the causes of some species dying out while others thrive, and the ability of any species to adapt as a method of avoiding extinction.
Earth in Space puts our place in the universe in perspective. Housing Europe’s oldest surviving Astrolabe, dating from the eleventh century, this gallery gives an opportunity to see the technology invented to allow us to look into the big questions about what lies beyond Earth, and probe the origins of the universe and life.
In contrast, the Restless Earth gallery shows examples of the rocks and minerals formed through geological processes here on earth. The continual processes of the planet are explored alongside their impact on human life. An impressive collection of geological specimens are complemented with educational multimedia presentations.
Beyond working on new galleries, and the main redevelopment, the transformation team have revamped galleries that will be familiar to regular past visitors to the museum.
Formerly known as the Ivy Wu Gallery of East Asian Art, the Looking East gallery showcases National Museums Scotland’s extensive collection of Korean, Chinese, and Japanese material. The gallery’s creation was originally sponsored by Sir Gordon Wu, and named after his wife Ivy. It contains items from the last dynasty, the Manchu, and examples of traditional ceramic work. Japan is represented through artefacts from ordinary people’s lives, expositions on the role of the Samurai, and early trade with the West. Korean objects also show the country’s ceramic work, clothing, and traditional accessories used, and worn, by the indigenous people.
The Ancient Egypt gallery has always been a favourite of visitors to the museum. A great many of the exhibits in this space were returned to Scotland from late 19th century excavations; and, are arranged to take visitors through the rituals, and objects associated with, life, death, and the afterlife, as viewed from an Egyptian perspective.
The Art and Industry and European Styles galleries, respectively, show how designs are arrived at and turned into manufactured objects, and the evolution of European style – financed and sponsored by a wide range of artists and patrons. A large number of the objects on display, often purchased or commissioned, by Scots, are now on display for the first time ever.
Shaping our World encourages visitors to take a fresh look at technological objects developed over the last 200 years, many of which are so integrated into our lives that they are taken for granted. Radio, transportation, and modern medicines are covered, with a retrospective on the people who developed many of the items we rely on daily.
What was known as the Museum of Scotland, a modern addition to the classical Victorian-era museum, is now known as the Scottish Galleries following the renovation of the main building.
This dedicated newer wing to the now-integrated National Museum of Scotland covers the history of Scotland from a time before there were people living in the country. The geological timescale is covered in the Beginnings gallery, showing continents arranging themselves into what people today see as familiar outlines on modern-day maps.
Just next door, the history of the earliest occupants of Scotland are on display; hunters and gatherers from around 4,000 B.C give way to farmers in the Early People exhibits.
The Kingdom of the Scots follows Scotland becoming a recognisable nation, and a kingdom ruled over by the Stewart dynasty. Moving closer to modern-times, the Scotland Transformed gallery looks at the country’s history post-union in 1707.
Industry and Empire showcases Scotland’s significant place in the world as a source of heavy engineering work in the form of rail engineering and shipbuilding – key components in the building of the British Empire. Naturally, whisky was another globally-recognised export introduced to the world during empire-building.
Lastly, Scotland: A Changing Nation collects less-tangible items, including personal accounts, from the country’s journey through the 20th century; the social history of Scots, and progress towards being a multicultural nation, is explored through heavy use of multimedia exhibits.
Category : Uncategorized
Thursday, October 18, 2007
It can be difficult to be John Reed.
Christopher Hitchens called him a “Bin Ladenist” and Cathy Young editorialized in The Boston Globe that he “blames the victims of terrorism” when he puts out a novel like Snowball’s Chance, a biting send-up of George Orwell‘s Animal Farm which he was inspired to write after the terrorist attacks on September 11. “The clear references to 9/11 in the apocalyptic ending can only bring Orwell’s name into disrepute in the U.S.,” wrote William Hamilton, the British literary executor of the Orwell estate. That process had already begun: it was revealed Orwell gave the British Foreign Office a list of people he suspected of being “crypto-Communists and fellow travelers,” labeling some of them as Jews and homosexuals. “I really wanted to explode that book,” Reed told The New York Times. “I wanted to completely undermine it.”
Is this man who wants to blow up the classic literary canon taught to children in schools a menace, or a messiah? David Shankbone went to interview him for Wikinews and found that, as often is the case, the answer lies somewhere in the middle.
Reed is electrified by the changes that surround him that channel through a lens of inspiration wrought by his children. “The kids have made me a better writer,” Reed said. In his new untitled work, which he calls a “new play by William Shakespeare,” he takes lines from The Bard‘s classics to form an original tragedy. He began it in 2003, but only with the birth of his children could he finish it. “I didn’t understand the characters who had children. I didn’t really understand them. And once I had had kids, I could approach them differently.”
Taking the old to make it new is a theme in his work and in his world view. Reed foresees new narrative forms being born, Biblical epics that will be played out across print and electronic mediums. He is pulled forward by revolutions of the past, a search for a spiritual sensibility, and a desire to locate himself in the process.
Below is David Shankbone’s conversation with novelist John Reed.
Category : Fleet Management
Submitted by: Bima Deals
The IRDA has recently established the Consumer Affairs Department to give a special focus to and oversee the compliance by insurers of the IRDA Regulations for Protection of Policyholders Interests and also to empower consumers by educating them regarding details of the procedures and mechanisms that are available for grievance redressal. Policyholders must be provided with inexpensive and speedy mechanisms for complaints disposal and the IRDA (Protection of Policyholders Interests).
In 2002 IRDA made regulations that made it necessary for insurers to have efficient and speedy grievance redress mechanisms. The regulator issued Guidelines for Grievance Redressal, which laid down specific timeframes and turnaround times (TATs) for response, resolution, etc., which would further strengthen the redressal systems insurers already have in place.
IRDA monitors the effectiveness of the mechanism by creating a central repository of industry-wide insurance grievance data; IRDA is on path to implement the Integrated Grievance Management System (IGMS). IGMS will create a gateway for policyholders to register complaints with insurance companies first and if need be to escalate them to the IRDA Grievance Cell. IGMS is a comprehensive solution which not only has the ability to provide a centralized and online access to the policyholder but complete access and control to IRDA for monitoring market conduct issues of which policyholder grievances are the main indicators. IGMS will have the ability to classify different complaint types based on pre-defined rules. The system will be able to assign, store and track unique complaint IDs and also enable intimation to various stakeholders as required, within the workflow. The system will enable defining of Target Turnaround Times (TATs) and measure the actual TATs on all complaints. The system will set up alerts for pending tasks nearing the laid down Turnaround Time. Thus, the system will automatically trigger activities at the appropriate time through rule based workflows.
A complaint registered through IGMS will flow simultaneously to the insurer s system as well as the IRDA repository. Updation of status by the insurers would automatically be mirrored in the IRDA system. IGMS will be able to generate reports on all criteria like ageing, status, nature of complaint and any other parameter that is defined. Thus, the IGMS will provide a standard platform to all insurers to resolve policyholder grievances and to provide IRDA with a tool to monitor the effectiveness of the grievance redressal system of insurers.
IRDA has recently introduced the IRDA Grievance Call Centre (IGCC) that provides for a toll free number 155255. IGCC provides an additional channel for policyholders to lodge their grievances and also seek their status over phone/e-mail. The Call Centre environment will interface with IGMS, once the IGMS is implemented. The IGCC has enabled policyholders easy access to the grievance redressal cell of IRDA both through telephone and e-mail, apart from providing details of the redressal systems of insurance companies whenever policyholders require them. The Call Centre carries out filling of grievance registration forms on the basis of the call. The IGCC also provides a channel for tracking of grievances. Further, the IGCC also educates policyholders about the Insurance Ombudsman who provides a channel for fair disposal of complaints falling within the laid down jurisdiction.
With a view to going beyond facilitation of complaints resolution, IRDA has begun to drill down into details of complaints to identify instances of violation/non-compliance of various provisions of the applicable Regulations through enquiries and inspections. If needed, regulatory action is taken.
Insurance Ombudsman is reviewed for possible changes and expansion of jurisdiction, to ensure that grievances that are not resolved by insurers and get escalated to the Regulator and/or Ombudsman are decided conclusively, except where they would fall necessarily within the ambit of the courts.
Source: IRDA Annual Report 2009-10.
About the Author: To Know more about Life Insurance, Life Insurance Companies, Life Insurance Policies, Life Insurance Plans and Compare Premium visit here:
bimadeals.com
Source:
isnare.com
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Category : Uncategorized
Monday, January 1, 2007
A Pakistani boy got his older sister to hang him in the same manner as Saddam Hussein.
Mubashar Ali, 9, hanged himself, while re-enacting Hussein’s hanging with the help of elder sister, 10, after tying a rope to a ceiling fan and his neck in his home in the Punjab district of Rahimyar Khan on Sunday, said a local police official.
The father of the deceased boy said that his children had been watching the video of Saddam Hussein’s execution on television and attempted to imitate the hanging as other family members thought they were playing in another room.
“My wife and sister rushed to rescue Mubashar when children cried for help from the adjoining room, but he died due to hanging,” said Alamgir Paracha, father of Mubashar.
Police said that the death was accidental and a case of parental negligence.
“It was an accident which happened due to carelessness of parents,” said district police chief Sultan Ahmad.
Category : Uncategorized
Thursday, February 2, 2006
Bathurst Regional Council, the local government responsible for the city of Bathurst and its surrounds in Central Western New South Wales, Australia yesterday revealed it had received a development application for the new Bathurst Base Hospital.
The new hospital is to be built behind the current hospital on the same site and is expected to cost the New South Wales government AUD96 million. The Bathurst Hospital will be the first in the Bathurst-Orange-Bloomfield redevelopment project.
The new hospital will have 149 beds, up from 85 for the current hospital. The hospital will also feature a mental health unit – previously psychiatric patients had to travel to Orange to the Bloomfield Hospital for treatment.
The Bathurst Hospital is expected to have state-of-the art facilities and will share some services with the to be constructed Orange Base Hospital.
The Bathurst Regional Council has approved the demolition of 12 buildings on the hospital site for enabling works. The hospital site is heritage listed although council decided that as the buildings do not contribute to the streetscape they may be demolished.
The demolitions are expected to take place late next month and will take around six weeks to complete. A temporary driveway will then be built to replace the current service entry for food and linen as it will become part of the work site.
Upon completion of the new hospital, the current ward block will be demolished leaving the original building from the late 19th century intact. The original building is expected to become an education centre and consulting rooms.
The original building was opened in 1834. Since then the facility has undergone numerous upgrades and add-ons, with the present ward block being opened in stages from 1978 to 1982.
Other buildings expected to be retained include the Daffodil Cottage (a cancer care centre) and the original Nurse’s quarters known as Poole House.
Category : Toys Online
collection of Outdoor Play Toys for Kids
by
wendy madden
Kids love playing outdoor and for this they need to have some entertaining aids. There are a number of outdoor play toys for kids that make them educated and ensure their complete development. The lot of outdoor toys is available in different sizes and shapes keeping in mind the likes and psychology of kids. Playtime is the time of great enjoyment for kids and thus, involves a lot of crucial aspect in them.
Toys help the kids express their talent of playing and keep them entertained for long. Children express themselves more naturally and spontaneously through outdoor activities. Thus, parents should always aim at making their playtime more amusing and better. Below listed are few steps that As a common and popular choice, the water toys for kids have gained exceptional popularity among the youngsters. They love to enjoy that splashing cool by playing with these much desired water pool toys. Especially during summers they love playing with these toys to beat the heat by dipping in the pool floats, bathtub toys, dive rings and other outdoor play toys. Kids especially demand for the water bouncers to feel that sheer delight. In case you demand something really exciting for your kids, then you must buy the Pool Toy Underwater Boomerang Scoobarang Mindwalk. Watching as it has become quite amusing for the kids. Such outdoor play toys encourage hand-eye coordination for your kids and ensure that their activities are growing. Again the next important and most demands toys for kids are Jump and Play with Playhouses toys that are soft and safe for kids. It is perhaps the most important thing to be considered that the toys you buy for the kids must be safe to play with. These toys are possibly the best way to keep your kids from the TV and video games and get them a fun play house. You must shop for the kids toys that are worthwhile of your investment, durable and non-toxic made of PVC plastic. Outdoor Activity Toys render Excellent Play Value and thus, keep the kids physically fit. Junior Pogo Sticks are a great option that let your kids have fun while exercising. In case you are looking for outdoor play toys and outdoor activity toys to keep your kids active round the year, there are various online stores from where you can fetch great playing options. Such stores display extensive collection of Outdoor Play Toys Price to let them have fun in the summer.
Wendy madden is a well known author and has written articles on
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Article Source:
ArticleRich.com
Category : Uncategorized
Wikinews Audio Briefs Credits |
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Produced By |
Turtlestack |
Recorded By |
Turtlestack |
Written By |
Turtlestack |
Listen To This Brief |
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